I began the extraction of the INTERSTICES series by looking, frame by frame, at NOIRCEUR, during my convalescence. Between two pictures, there are enclosed images that mix, tear or contort.

Since this discovery, I have begun to capture more footage, to try to understand how the code infused in the transitions, “morphing” and “optical flow”, reacts to changes in shape and light. This transition brings a new blur into my practice, the fourth blur, in addition to the blurs generated by the exposure speed, the movement of the sensor or the subject. This series is the beginning of a new energy of moving images, against confinement and conformism, defeating photography’s innate clinical accuracy.